Leonora Carrington
Surrealist painter and novelist, women's liberation activist in Mexico.
Leonora Carrington was a British and Mexican surrealist painter and novelist. She was one of the last surviving participants in the Surrealist movement of the 1930s and a founding member of the women's liberation movement in Mexico during the 1970s.
- born
- 6 April 1917
- died
- 25 May 2011
- field
- Painting, novel writing
- nationality
- British, Mexican
- known_for
- Surrealist painting, women's liberation activism in Mexico
Verified Timeline
Lore & Background
Carrington was born into a wealthy Roman Catholic family in Lancashire, England. Expelled from two schools for rebellious behavior, she studied art in Florence and London, and became familiar with Surrealism through a copy of Herbert Read's book *Surrealism* (1936) given by her mother. In 1937 she met German Surrealist Max Ernst at a party in London; they bonded and returned to Paris, later settling in Saint-Martin-d'Ardèche in southern France. During World War II, Ernst was arrested by French authorities as a 'hostile alien' and later by the Gestapo because his art was considered 'degenerate'; he escaped to the United States with help from Peggy Guggenheim. After Ernst's arrest, Carrington was devastated, went to Spain, was gang-raped by Spanish soldiers in a hotel, and after a psychotic break was admitted to an asylum in Santander, where she was treated with Cardiazol shock therapy and Luminal. She escaped in Portugal and entered a marriage of convenience with Mexican diplomat Renato Leduc, taking Mexican nationality in 1942.
Reader's Guide
Carrington's significance lies in her role as a pioneering female surrealist who challenged the movement's tendency to treat women as muses rather than artists. Her work, such as *Self-Portrait* (also called *The Inn of the Dawn Horse*, 1937–38) and *Portrait of Max Ernst* (1939), used heavy symbolism to explore psychic freedom and ambivalence in relationships. In Mexico, she created the mural *El Mundo Magico de los Mayas* (1963) for the Museo Nacional de Antropología and designed the poster *Mujeres conciencia* for the women's liberation movement in 1973. She frequently spoke about women's 'legendary powers' and the need for women to take back 'the rights that belonged to them.' Carrington believed psychic freedom could not be achieved until political freedom was accomplished, and she understood that 'greater cooperation and sharing of knowledge between politically active women in Mexico and North America' was important for emancipation. She won the Lifetime Achievement Award at the Women's Caucus for Art convention in New York in 1986.
Did You Know?
- Carrington was expelled from two schools, including New Hall School in Chelmsford, for rebellious behavior.
- At age ten, she saw her first Surrealist painting in a Left Bank gallery in Paris and later met many Surrealists, including Paul Éluard.
- When presented at Court, she brought a copy of Aldous Huxley's *Eyeless in Gaza* (1936) to read instead, because she had no intention of being 'sold to the highest bidder.'
- She was treated with Cardiazol shock therapy and Luminal after a psychotic break in an asylum in Santander.
- Carrington took Mexican nationality in 1942 after a marriage of convenience with Mexican diplomat Renato Leduc.
Frequently Asked Questions
Who is Leonora Carrington?
She was a British-born, Mexican-based surrealist painter and novelist who became one of the final living members of the 1930s Surrealist movement. Her life spanned from 1917 to 2011, linking two continents and two major artistic and political eras.
What are Leonora Carrington's powers/role?
Her primary creative output was surrealist painting and novel writing, while her political role centered on co-founding the women's liberation movement in Mexico during the 1970s. She operated at the intersection of avant-garde art and feminist activism.
How does Leonora Carrington's story end?
Carrington died on 25 May 2011, leaving behind a body of surrealist work and a legacy as an early feminist organizer in Mexico. At the time of her passing, she was recognized as one of the last surviving artists from the original 1930s Surrealist circle.
Why is Leonora Carrington important?
She is significant because she carried Surrealist practice across the Atlantic and into Mexican culture while simultaneously helping to launch organized feminist activism in that country. Her dual identity as a visual artist and a political organizer set her apart from many of her contemporaries.
What did Leonora Carrington create?
She produced surrealist paintings and wrote novels, making her a multidisciplinary figure within the movement. Her visual work is the most widely recognized, but her literary output is also part of her artistic canon.
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